blink-182 – California (Album Review)

blink-182 California
Released: July 1st 2016


Line Up
Mark Hoppus – Bass/Vocals
Travis Barker – Drums
Matt Skiba – Guitar/Vocals


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Twitter: @blink182


Here we are, finally got my hands on the newest album from my most favourite band in the whole world. Only now things are different following the departure of guitarist Tom Delonge and the welcoming of Alkaline Trio‘s Matt Skiba to the already impressive line up consisting of bassist Mark Hoppus and drummer Travis Barker. While this past year for most blink-182 fans, like myself, has been a rough acceptance of the fact things won’t be the same and moving forward, this is how things will be (unless Tom gets his shit together and rejoins again), it was difficult at first to put differences aside and listen to their new sounds without always thinking about what could have been, how certain tracks could have been perfect with a little Delonge input and what if the lyrics had more meaning behind them than what was finalised and produced. All that aside here we go with the track by track review of California, the 7th studio album from the band.

The album opens with the Hoppus lead “Cynical“, slow at first with nothing but a guitar strum behind his voice when all of a sudden 29 seconds into it the rest of the band joins in, Travis Barker is on fire smashing his kit and all of a sudden a familiar vibe is felt as Mark’s long whine-like singing brings you in and makes you want to get moving. Matt finally gets his chance to shine however when he opens up, all I can hear is somewhat of an attempt at channelling Tom Delonge‘s long, dragged out worded singing. (Note: I’ve not heard much of his previous work in Alkaline Trio and from what I did hear, I didn’t like. So I’m unsure if this is his way of natural singing or if he was trying something different for the blink record). The song ends with both vocalists bouncing off each other and Matt’s repetitive singing of the lyrics “I’m sorry, I’m sorry and I’m sorry now“. Could this be aimed at fans who are still dirty at him for joining? Probably not but I’m going to assume it is and move onto first single and banger “Bored to Death“. This was our first taste of the new direction the band was heading in and as previously stated, it’s a catchy as fuck pop-punk hit with elements of early blink and +44. Travis and Mark were hard to fault, Matt’s guitar playing wasn’t too technical but the song itself has become an instant hit for myself and fans alike. Arguably one of the better songs from the entire album.

She’s Out Her Mind” is up next and upon hearing the opening bass chords and drum beat, all I could think of was “FUCK THAT SOUNDS LIKE DUMPWEED SLOWED DOWN” and my hopes were instantly up that they had gone back to earlier roots and brought back that sound, however after about 20 seconds I realised that wasn’t the case and we were back to the youthful pop-rock influence which makes you want to bop up and down with lyrics aimed towards the tween generation (ages 12-17). While I couldn’t connect with the words being sung, I focused more on Travis who was once again killing it with his beats. (Spoiler Alert: He continues to do this for the entire album, there is not one thing I can fault him for on California). By this point I’m sensing that repeating lyrics and words to make up time is a common theme for new blink, while it could have worked for maybe two or three songs at most, it starts to get annoyingly repetitive very quickly. Following on from this is “Los Angeles“, a song that blends both an upbeat tempo with a slower (almost borderline) dark rock chorus consisting of the basic, repeated lyrics “Los Angeles, when will you save me, Los Angeles, when will you save me…“. The first lines of the chorus (the slower part) are almost haunting beautiful and work well for the track, but it feels choppy at times and didn’t seem to flow well. “Sober” once again brings back that pop-rock feel and Mark’s addictive twang that we have grown to love over the years, I feel this is the best song that represents blink-182 members at their current age and lifestyle. Its not so technical, above average and exactly what you would assume a band of over 40 year olds should sound like. Lyric wise though, I couldn’t imagine 40yr old adults smashing their neighbours lights and digging in the ground though. So glad they brought back the piano for this one too. Very easy to say this could have been a leftover from 2011‘s Neighborhoods album.

At 17 seconds long “Built This Pool” is the first short joke song the band has put out in 15 years (the last being Happy Holidays You Bastard and Fuck a Dog from 2001‘s Take Off Your Pants And Jacket) however it seems so out of place. At the end of the song one of the guys asks “Is that really it?“, a question I even asked myself when I first heard the song. Not only that but I had to take another listen to make sure it wasn’t Tom Delonge asking the question because it sounded so similar to him. “No Future” begins (kind of like a slowed down version of the song Anthem Part II) with an opening drum beat accompanying a strangely similar to Bored to Death guitar riff which is not only fun to listen to but gets you ready and excited for the upcoming chorus drop, which unfortunately misses the mark. Everything about this song is great, except the chorus. It feels slightly out of place and clumpy when the band transitions from verses into it. However, it’s catchy enough to enjoy despite that factor… oh and the repetition again!

If you like sappy acoustic love songs, “Home Is Such A Lonely Place” is definitely for you! It sounds very close to being more of a lullaby than a love song with Travis summoning his inner drummer boy on the snare while Mark and Matt sing in harmonious glory with twinkles of bells in the background. The last 40 seconds of the song picks up speed but it unfortunately falls flat on it’s face because the track feels so out of place compared to the rest of the album. I’m guessing they tried to do something different but it just doesn’t feel right. Producer John Feldmann worked previously with Australia’s 5 Seconds of Summer and to me, this track was very similar in many ways to their song “Amnesia“. Moving into the second half of the album we have “Kings Of The Weekend” beginning with a bass and drum duet complimenting Mark Hoppus’ vocals before Matt Skiba joins in with his guitar softly in the background. When the chorus starts though, everything picks up pace and the potential is raised for this being another decent banger. When Skiba takes control of the second verse, I can’t help but think to myself (for the first time) how perfect this song would be if Tom Delonge was singing instead. I tried my hardest to push that idea out of my head while listening to this whole album, but I couldn’t escape it with this one. The song ends with one final burst from all three members and finishes abruptly. Listening to this made me feel like I was receiving the best blow job of my life, however I just didn’t get the chance to climax. It had all the elements a great pop-punk song should have, but just missing that one thing to make me blow all over the place. Apologies for the visual.


Moving onto the “woah oh oh oh ohhhhh” filled “Teenage Satellites“, Matt Skiba finally gets the chance to take centre stage properly and have all the attention on him and we finally get to experience a song where he sounds like himself. I surprisingly enjoyed this song more than I thought I would, but in comparison to what we’ve heard so far it was fairly simple. This is where things get a little weird, when “Left Alone” began I immediately thought I was listening to an Angels & Airwaves song. A direction criticised by “true blink-182” fans who hated the way Tom tried to make the band sound like his other side project, yet here we are on the follow up to Neighborhoods and they continued this theme, so maybe it wasn’t Tom’s idea all along. Once we’re past the futuristic beeps and solo guitar playing, pure pop-punk goodness is returned and the trio work together in unison to produce yet another favourite for the album. I’d like to skip the next song completely but unfortunately you just can’t do that when completing a review of an album. “Rabbit Hole” is what I like to call an embarrassment to the band and music in general. I feel they wasted one of the best sounding tracks with lyrics that seem like they were written by a high school kid and oh my god, the repetition throughout was disappointing. Skiba definitely tried his best to recreate Tom’s signature twang but failed miserably. I could go on further but I feel I’ve already ripped into Rabbit Hole enough to make it self aware of how shit it is. Change the lyrics and redo this song completely and you’ve got an instant hit, but for now I’d give this one a miss.

Ok, now thats all out lets move onto the slow jam “San Diego” which is an obvious stab at returning to your roots (possibly even Tom who I’m sure still resides there). From what I took from this song, the band addresses the times they had growing up there but there is no way they’d ever return. Its like how you leave your home town and while you have so many memories there, you’d never be able to go back and experience the same fun you remember. A pleasing ode to ones past, moving forward and how far you’ve come since then. “The Only Thing That Matters” starts with elements of middle blink era songs from the Enema/Take Off Your Pants… saga complete with an opening bass line followed by fast guitar riffs and drumming. If the band could ever summon a circle pit at a gig, this would be the track to get everyone moving in a non-aggressive way. At at length of only 1:58, it’s over just as you start to really get into it, but pleasing enough to leave you fulfilled. “California” opens up once again sounding like something from Angels & Airwaves 2006 album We Don’t Need To Whisper, inspiration or not, you can’t escape the feeling they’re either taking the piss or paying tribute to their somewhat sibling band from a former member. I’m slightly confused but move on and start to appreciate the ballad styled “coming into adulthood” track which I’ve been waiting for blink to write for years. I loved this band growing up because their songs represented what I was going through at that age. Now that I myself am an adult, I’ve moved on from the teenage addressed music and have started resonating to songs about growing old and getting your life on track. This is the song I’ve been waiting for. All the instruments, lyrics and members bounce off each other in a way so perfectly executed I forget about some of the atrocities I heard earlier in the album. If every song was written as well as this, I think it could have sat more higher up in my opinions and approval rating. The build up towards the end doesn’t disappoint and I’m left with a huge smile on my face. Had the band ended on this song we could have all been happy but for the last 30 seconds of the album I’m subjected to “Brohemian Rhapsody” which is nothing more than a fast paced pop-punk track which had so much potential, had it been given an extra 3 minutes and better lyrics than “There’s something about you, that I can’t quite put my finger in!”.  Another lacklustre joke song which missed the mark and wasted one of the best riffs I’ve heard from the band in years.

There was a lot of anticipation for this album and criticism was always bound to be present from all sides, but at the end of the day blink-182‘s new album didn’t quite reach the expectations I was hoping for… HOWEVER I can safely say I really enjoyed California more that I thought I would. Mark Hoppus took control of the band and helped it stay afloat, needs more work on his song writing, but still sounds as badass as he always has been. While Matt Skiba had some pretty fuckin huuuge shoes to fill, he didn’t fail as bad as I thought he would. I can appreciate the new sound he brought to the band, but he just needs to give us more of him and stop trying to emulate the legacy Tom Delonge left behind. He’s a talented musician and I’m interested to see what else he can do moving forward. I have nothing to say about Travis Barker besides the fact he completely nailed it once again. Hands down he’s the most talented member of the band now and killed everything he contributed to the album. I would have liked to hear more fast paced, almost free styled drumming on some tracks but there is nothing I can really fault him for. All up blink-182 are back but are heading in a different direction to what we’ve known them for, but I for one will continue to join them for the ride. Blink-182 Life For Life.

Check out our list of The Top 7 blink-182 Music Videos of All Time here


blink-182California tracklist

1. Cynical
2. Bored To Death
3. She’s Out Her Mind
4. Los Angeles
5. Sober
6. Built This Pool
7. No Future
8. Home Is Such A Lonely Place
9. Kings Of The Weekend
10. Teenager Satellites
11. Left Along
12. Rabbit Hole
13. San Diego
14. The Only Thing That Matters
15. California
16. Brohemian Rhapsody

Rating 6.5/10
California” is out Friday July 1st. Pre-Order Here
Until next time, rock the fuck out
Browny (@brownypaul)

blink182 2015


About Paul 'Browny' Brown (3811 Articles)
Dad, Wall of Sound Boss Man/Editorial Manager, Moshpit Enthusiast & Professional Beard Grower!

26 Comments on blink-182 – California (Album Review)

  1. Paul Connolly // July 21, 2016 at 10:08 am //

    BTW, whilst I recommend you have a serious listen to some Alkaline Trio (esp Good Mourning), those having a crack and saying you cannot review b/c you haven’t, well, to me that is BS. You can do a perfect review of 1 album without having heard every band members’ out put. In fact, you could review this album without having heard Blink even. That would be refreshing. Just an album review without the need to compare to what has been. Too many album reviews become a review of the band and what has come before. Obviously there is going to be some comparison, but personally, I really don’t care about all that. An album review should be about the album. Given many media sites have moved to very short reviews it is even more frustrating when those reviews do not even mention one song.
    I might not agree (and I did feel you dwelt a little on what was – but clearly that is coming from ‘fan you’, and passion is also good), but this review DOES address each song and review the actual album… so kudos for that 🙂 \m/

  2. Paul Connolly // July 21, 2016 at 9:41 am //

    C’mon ppl get over it. Tom left, move on. MANY bands continued with new members/singers and did not have to change names etc. Who cares? The songs are good. Listen to them.

  3. Paul Connolly // July 21, 2016 at 9:33 am //

    I couldn’t disagree more strongly. I always loved Tom’s whiny voice too, but Matt Skiba sounds great here. I love the return of the ‘fun’. The 2 short ‘joke’ songs still make me laugh. Immature yes, but isn’t that exactly what we loved about Blink? I am SO happy we are a long way from that ST shit. Enjoying this a lot. If you read this review, do not be put off. It is a really fun album. (And yeah, surely the reviewer has listened to the brillian ‘Good Mourning’ – if not do so). 😉 \m/ C

  4. Matthieu Desormeau // July 18, 2016 at 5:18 pm //

    I’ve actually figured out whats bugs me the most about this album: the fact that they chose (and I trust them to have given it a long and hard enought thought) to record it under the name of Blink-182.

    I appreciate the fact that they chose to move on completely from Tom, for whatever reasons (aliens, deep-rooted dispute…) and wanted to be, well, Blink-182 without him.

    but actually, this just feels, eh…weird.

    somewhere between a +44 sequel album, and a reboot of the Terminator saga in which Matt Skiba was teleported back in 2001-2002 to terminate Tom and offer an alternate timeline of the band.

    because that’s how much of their current music sounds like. the sound of the guitars, the undecided tone and age of the songwriting, still somehow stuck in teenage years. you can feel Delonge’s loss as a songwriter, as well as the subtle nuances he brought in his style of play. it was actually there for all to see in the “original continuity of things”, namely the self-titled and “neighborhoods” albums. I never thought “neighborhoods” would take such an important place in my general understanding of the band, as it should sound like now. I just feel like their sound should evolve from “neighborhoods” rather than being rebooted or replaced, like you’d replace an actor in a sequel. I wasn’t the biggest fan of either “Blink-182” and “neighborhoods” at first, I had trouble like so many of us to accomodate to their evolution, but now it’s fully grown and developped on me. why this “backwards step” then ? it doesn’t even really sounds like a +44 sequel or something along this idea when you think about it. just like another, new, band. a band I would’nt have any problem with, if it was what it is, what it sounds like.

    that’s what I wish they did: start afresh with Matt Skiba, call this whatever name came accross their minds. because Tom was Blink-182 beyond what anyone can imagine.

    decent record I guess. if it wasn’t for the “Blink-182” label on it.

    • brownypaul // July 19, 2016 at 1:17 am //

      I couldn’t agree with you anymore than I already do hahaha Nice analogy, spot on in so many ways!

      • Matthieu Desormeau // July 19, 2016 at 9:29 am //

        Haha thanks, so many typo errors though on my comment, that’s what typing on a regular, autocorrect-less keyboard does to you.

        Had another crack at this on the way to work, and I still stand with pretty much everything I said yesterday. It’s in no way a bad record, it’s a decent effort in itself, it’s just so badly out of sync with what Blink-182 became that you can’t help but feel annoyed somehow.

        The ballad right in the middle, interestingly, is the one that feels the less out of place due to the fact that, ironically, ballads in power-pop records are already out of place by concept. This one could’ve featured in any Blink-182 album, or any album featuring at least two thirds of the classic Blink lineup for that matter.

  5. Awesome review! I also did a review of California. I agree with you in that it wasn’t their best work and the songs were a bit of a toss up but there are a few that are pretty good.

    • brownypaul // July 3, 2016 at 11:48 pm //

      Thanks legend! Yeah it’s slowly growing on me but there’s only a handful of decent songs that I like to listen to more than once.

  6. Even though you don’t listen to Alkaline Trio, you are spot on with the different Skiba voice. He sounds way different here, but so does Mark. It’s not them, it’s the autotune. Also, big shoes to fill? Blink could have gotten literally anybody and they would have been better than Tom. Finding Skiba is like recasting Ryan Reynolds with Marlon Brando.

  7. You need to (1) listen to Alkaline Trio and then (2) judge this iteration of Blink 182 as they are, not on a preconceived notion of what they’d be with Mr. DeLonge.

  8. Man, this review is so shitty. “Sober” easily a leftover from Neighborhoods? Really? That is such an inaccurate description of the song. I’m not even going to attempt to read past that line. This review is way off and so disrespectful towards the album. I don’t understand why they let complete retards review music.

  9. Hey say’s, “Not sorry.. Not sorry, you’re not sorry” So your interpretation of the lyric is completely wrong. Even if he did say “Im sorry” I seriously doubt he’d apologize for joining the band. That’s the stupidest most basic evaluation of a lyric.

    • brownypaul // June 28, 2016 at 6:42 am //

      Considering the fact 3 people have commented on the lyrics and each of them have come up with something different goes to show we won’t officially know what is said until we get the proper lyrics. We’ll have to wait to see who is right in that factor and the true meanings behind the song somewhere down the track.

      As for your “complete retards” comment, to each their own but is there really any need for foolish name calling when someone has an opinion different to yours?

  10. Jesse Ventura // June 28, 2016 at 2:28 am //

    I quit reading when you said you didn’t listen to Alkaline Trio….that’s sad. Alkaline Trio is an amazing band and my opinion a more consistent band than blink 182. How can you critique someone that you know nothing about. He sounds no different than he does with Alkaline Trio. Do some research man.

    • brownypaul // June 28, 2016 at 6:37 am //

      I’ve listened very carefully to his singing style and it changes so much over the whole record, sure, I take into consideration certain tones/themes of songs and that would change but to sound like a completely different person? Why? I guess I expected more, he had huge shoes to fill and unfortunately (for me) he didn’t come anywhere close to nailing it.

      • Paul Connolly // July 21, 2016 at 9:37 am //

        Man, accentuating, tones and themes of his voice, etc. Man, just enjoy the album. This is Blink, not some 5 part essay on the validity of Skiba’s vocal tones. Man… Guys, the music is fun. 🙂

      • Paul Connolly // July 22, 2016 at 5:03 am //

        Oh, I just read that post from late the other night. Please remove the 3 ‘mans’ from it and continue 😉

  11. Great album. It’s definitely a new sound for the band, but it’s a pleasant one. I’m really upset that Bohemian Rhapsody is only 30 sec long. As mentioned in your review, I would think it would have been a huge track. Other than that. 9/10 for me. Nothing will ever compare to their 01 and 04 albums, but its blink and I’m happy to hear them again.

    • brownypaul // June 28, 2016 at 6:35 am //

      I agree, it is a new sound and maybe I was expecting more but even after listening to it for more than 3 days now it’s still not grabbing me like the first time I heard their earlier albums (from the era you mentioned). And Brohemian really bugs me that it’s so short! Still stand by my rating though but its a miss for me!

  12. Bad review. This sounds like TOYPAJ 2016. Its amazing

  13. Yea, you lost me once you said you’ve never heard alk3. That’s really my main interest in this album, and as for the lyrics in Cynical, he’s singing, “not sorry, not sorry, I’m not sorry now”. If anything, doing the exact opposite of apologizing, and to me is metaphorically from the band telling Tom they’re not sorry for moving on. If he wants to find aliens, so be it, but life moves on.

    • brownypaul // June 28, 2016 at 6:39 am //

      I took your reply and went back a few times to listen to the song over and over again, it could be accentuation but to me that’s what it sounded like, however if it is the other way that would make more sense and therefore be a stab at Tom, which I wish (if they wanted to) would have stood out more e.g. Man Overboard and Scott.

  14. Anyone who doesn’t like alkaline trio (and didn’t even know who they are) automatically loses points, so the whole review is tainted with lack of perspective. I will go along with it didn’t quite meet expectations but still a good album with a promising direction.

  15. Great review, but I gotta disagree on Rabbit Hole. It’s easily one of the best songs on the album, got all the elements that make me like Blink 182. It’s the closest any song comes to classic Blink, and I really don’t think I could imagine a high school kid writing “you are the coldest stone-carved marble faces” as a lyric to a song. I’d definitely show that song to anyone who was worried about the album, it’s awesome.

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